¾­¹ýÒ»Äê¶à¹¦·òµÄ³ï±¸£¬Ð±¦GG½ø¹¥ÀÖÍŽ«ÓÚ½üÆÚ½øÐÓ׶“̤ÉÏÇà´ºµÄÃλÃÁгµ”——½ø¹¥ÀÖÒôÀÖɳÁú·ÇàÄê½Úר³¡¡·ÒôÀֻᣬ²¢Ô¼ÇëÉϺ£½»ÏìÀÖÍŽø¹¥ÀÖÊ×ϯ¡¢ÉϺ£ÒôÀÖѧԺ¿Í×ù½ÌÊÚ¡¢Ð±¦GG½ø¹¥ÀÖÍÅÌØƸÁìµ¼ÀÏʦÖÜÐÛ½ÌÔ±µ£ÈÎÖ÷½²£¬Îª¸÷È˽éÉÜÏÖ³¡ÑݳöÇúÄ¿¡£ÇëУÄÚϲ»¶½ø¹¥ÀÖµÄʦÉú½ìʱǰÍù¡£

“̤ÉÏÇà´ºµÄÃλÃÁгµ”

——½ø¹¥ÀÖÒôÀÖɳÁú ·ÇàÄê½Úר³¡

½ÚÄ¿µ¥

1¡¢¡¶½ø¹¥ÀÖÐòÇú¡·Overture for Percussion Ensemble ×÷Çú£ºJohn Beck

2¡¢¡¶ÐÄÌø¡·Heart Beat ×÷Çú£ºAlice Gomez

3¡¢¡¶À¶É«É£°Í¡·Blue Samba ×÷Çú£ºMurray Houllif

4¡¢¡¶Ó×¾ü¹ÄËijÁ×à¡·Pole Position ×÷Çú£ºEckhard kopetzki

5¡¢¡¶ÖñÒ¶¡·Bamboo Leaves ×÷Çú£ºEckhard Kopetzki

6¡¢¡¶É£°Í×éÇú¡·A La Samba ×÷Çú£ºMitchell Peters

7¡¢¡¼ûλÃÁгµ¡·Visional Train ×÷Çú£ºKazuhiro Mamada

ÑݳöÈËÔ±£ºÍõÅô·É£¨»ú×ÔѧԺ/»úе¹¤³Ì£©¡¢³Â¼ÑÂØ£¨ÒôÀÖѧԺ/½ø¹¥ÀÖ£©¡¢

̷ݼ£¨»ú×ÔѧԺ/µçÆø×Ô¶¯»¯£©¡¢³Â¼ÒìÚ£¨ÒôÀÖѧԺ/½ø¹¥ÀÖ£©¡¢ËÎÏÜ£¨ÒôÀÖѧԺ/×÷Çú£©¡¢ÖÜÒÝÂ×£¨ÒôÀÖѧԺ/½ø¹¥ÀÖ£©¡¢ÁõÎÄÓӰÊÓѧԺ/ÐÂÎÅ´«²¼£©¡¢Ô¬Ãô£¨ÒôÀÖѧԺ/ÃñÀÖ£©¡¢Ê·½£»Ô£¨ÒôÀÖѧԺ/ÉùÀÖ£©¡¢ÁÎÜÓÀÃÀÊõѧԺ/»áÕ¹ÒÕÊõÓë¼¼Êõ£©

Ö÷°ì£ºÐ±¦GGÒôÀÖѧԺ

Ö¸»Ó&Ö÷½²£ºÖÜÐÛ£¨ÉϺ£µÄ½»ÏìÀÖÍŽø¹¥ÀÖÊ×ϯ¡¢ÉϺ£ÒôÀÖѧԺ¿Í×ù½ÌÊÚ¡¢Ð±¦GG½ø¹¥ÀÖÍÅÌØƸÁìµ¼ÀÏʦ£©

Áìµ¼ÀÏʦ£ºÐ±¦GGÒôÀÖѧԺ¸±½ÌÊÚ Ô¬ÇÚ

Ñݳö£ºÐ±¦GG½ø¹¥ÀÖÍÅ

Ñݳö¹¦·ò£º2015Äê5ÔÂ4ÈÕ16£º00

ÑݳöµØÖ·£ºÐ±¦GGÒôÀÖѧԺ¶þÂ¥Ó×ÒôÀÖÌü

Ë÷Ʊ·½Ê½£º±¾³¡ÑݳöÎÞÐèË÷Ʊ£¬Çë¹Û¶à´øºÃѧÉúÖ¤¡¢¹¤×÷Ö¤×ÔÐÐÇ°Íù

´¹Ñ¯ÍøÕ¾£ºwww.music.shu.edu.cn

µ±¿àÖÔÏ 1Ã×3ÒÔ϶ùͯл¾øÈ볡